PETER EVANCHUCK hiding behind his cp16mm lining up the shot of SCOTTY. Picture is from decades back, when i was still shooting with either my Arri BL or my CP16mm cameras - the old CP16 is from my days shooting for the Wild World of Sports - in those days the reliable, durable CP16 was the industry standard since it also allowed a sound stripe to be recorded directly on the 16mm film - using reversal film stock meant that u process/print and go directly to air - so fast and cheap.
Sunday, 26 October 2014
THOSE WERE THE DAYS MY FRIEND
yeah i never thought they would ever end when i was in the thick of it but all things end eventually some last longer than others but i had far more than my 15 minutes - i recall the time i drove to New York to meet up with Andy Warhol at The Factory for a movie I was hoping to make called something like ANDY WARHOL LIVES HERE but these were film days not video days and that meant a ton of heavy cameras and gear in my Pristine Ford van crossing the border when it was normal and easy and fun and driving non stop to N.Y. into lower Manhattan and getting into The Factory but not really meeting ANDY since no one really met him ... he was too too famous
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