PETER EVANCHUCK hiding behind his cp16mm lining up the shot of SCOTTY. Picture is from decades back, when i was still shooting with either my Arri BL or my CP16mm cameras - the old CP16 is from my days shooting for the Wild World of Sports - in those days the reliable, durable CP16 was the industry standard since it also allowed a sound stripe to be recorded directly on the 16mm film - using reversal film stock meant that u process/print and go directly to air - so fast and cheap.
Monday, 3 June 2013
wow no babble from the rabble for months ... let me think ... mmmmm
ok i know i've been lazy on this blog and am still so no post for now i just posted me pain and suffering shoulder story on my other blog ... so hang on i'll babble some more about the new batch of hollywoody movies that stink yes more than a skunk they do...
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