PETER EVANCHUCK hiding behind his cp16mm lining up the shot of SCOTTY.
Picture is from decades back, when i was still shooting with either my Arri BL or my CP16mm cameras - the old CP16 is from my days shooting for the Wild World of Sports - in those days the reliable, durable CP16 was the industry standard since it also allowed a sound stripe to be recorded directly on the 16mm film - using reversal film stock meant that u process/print and go directly to air - so fast and cheap.
Wednesday, 30 January 2013
Message from PETER EVANCHUCK for MOTION MAGAZINE
Hear film maker
and MOTION MAGAZINE editor/publisher Peter Evanchuck talk about his
ground breaking 70's film/theater/tv MOTION MAGAZINE.